Tolstoy essays on art

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A little about the essay
I think that although there can be people that are professional critics that may have a deeper feeling for art, a piece must be able to transcend into the realm of nonprofessional critics enjoying it for it to be considered great. I think that this would be in conflict with Bell again, who thinks that a person must be a knowledgeable critic in order to able to accurately call a piece of art great. I think that a person can be a better critic by being knowledgeable, particularly in the area of judging the skill of a piece of art, and I also agree with Bell that a person can develop a more acute sense of emotion from art, but I still think that a piece of art must transcend beyond just these learned critics and inspire a large amount of people, rather they be professional critics or not. Some would assume this line is written primarily for suspense, but this position is a perfect representation of how easily life can be taken away or spared. It seems this is the way the man is hanging without care at a severe altitude which is also equivalent of death always hiding in the depths never to be anticipated.
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Simplicity Quotes

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Simplicity Quotes ( quotes)

All page references are to the Hackett Publishing edition of the Aylmer Maude translation. Modern definitions of art have excluded moral criteria from definitions of art because they have attempted to find a general definition that secures the existing canon of art. Since Shakespeare is in the canon, but Romeo and Juliet is a morally questionable work, we have abandoned moral prerequisites for art rather than remove canonical works. The problem: we keep redefining art to incorporate canonical works, deemed canonical by the elite class that dominates the world of art. The result is art theory that disparages art "of the people" in favor of elite or "genteel art. If art is something important, then it is universally accessible. So if it appeals to an elite or specialized taste, art is not something important, or else most canonical art is not really art.
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Literary criticism

Last week I pointed out that art and propaganda are never quite separable, and that what are supposed to be purely aes-thetic judgements are always corrupted to some extent by moral or political or religious loyalties. And I added that in times of trouble, like the last ten years, in which no thinking person can ignore what is happening round him or avoid tak-ing sides, these underlying loyalties are pushed nearer to the surface of consciousness. Criticism becomes more and more openly partisan, and even the pretence of detachment becomes very difficult. But one cannot infer from that that there is no such thing as an aesthetic judgement, that every work of art is simply and solely a political pamphlet and can be judged only as such.
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According to Tolstoy art is the intentional communication of an emotion from the artist to the audience where the hope is that the audience feels the emotion felt by the artist. This definition of art varies from other philosophies. Tolstoy believes that this type of communication is inevitable, that it is.

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